This results in sounds that respond accurately not only to dynamic changes, but also with the appropriate timbral and color changes you'd expect from their acoustic counterparts. 12 trigger inputs enable DM5 to be used with all Alesis drum and cymbal pads, SURGE Cymbals, and the triggering devices from most other major manufacturers.ĭM5 also has full MIDI I/O so it can be used as a sound source for composing, programming, and sequencing with a wide variety of controllers including keyboards, pad triggers, MPCs, and more.Īlesis' exclusive Dynamic Articulation™ technology modifies sample sounds so they change as you play them. DM5 contains 540 stereo, 18-bit drum sounds that can be assigned to any of the 21 programmable drumsets. often compared tosort of a sample based wavetable synthesizer (ppg wave and waldorf wave and microwave series) part of the newer Korg Legacy (analog) software collection and ms20-like controller the wavestation got some resurrection.This DM5 in is excellent working and cosmetic condition with just a few small scuffs and scratches here and there.ĭM5 is a classic Alesis drum-sound module for drummers, programmers, producers, and anyone else who needs great-sounding drums and percussion.
only the trintiy, triton had higher sample rates. the samples are all at 32khz sample rate. there is a keyboard version, an expanded version called wavestation EX and a nice A/D version featuring a stereo input that can be used to feed the internal FX processor (vocoder inside!but AD only (2 unit 19" or KB)) ! 19" rack (1 unit high called SR) was also available. samples that make a "resonant" sound when played sample for sample through the "cue list". the filter had no resonance so you had to make a wave sequence that simply plays div.
its the same samples as those used for the vector synthesis. the other big thing here is the WAVESEQUENCE, with wavesequences you can play midisynced lists of samples, that can be edited on the wavestation. Korg Wavestation - 1-4 vector DCOs that can play samples includes all waves of the sequential prophet VS, with vector envelope you could record the volume amounts of those 4 Oscillators by an x-y axis joystick controlled field. 3 complex envelopes (pitch, filter, amp) for 2 layers (thats why it's 2x each env type), extra vector movement envelope. DETAILS 16track sequencer and 4MB ROM (M1 ex : 8MB ROM), some FX (2 units) and filters without resonance became studio standard the late 80ies.
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